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This article was written by the New York Institute of Photography, America’s oldest and largest photography school. NYI provides professional-level training via home study for photographers who want to give their images a professional look, and perhaps earn extra income with their camera. How to Use Your Camera in Cold Weather
Whether you're using a waterproof holder or a waterproof camera, you'll have to make sure that snowflakes or water droplets don't obscure the view of the lens. If necessary, wipe your lens with a dry, lint-free absorbent cloth. We use either a well-worn all-cotton t-shirt for this purpose, or a microfiber cleaning cloth. |
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'Tis the season, and we're getting lots of letters from NYI students and other Northern Hemisphere Web visitors about taking photos in cold weather. There are lots of great photo opportunities out there whether your idea of a good time is ice fishing, snow shoeing or just plain walking in the winter wonderland. You just need to get out there and take the proper steps.
The chemistry and physics of how batteries generate electrical energy means that at very low temperatures all batteries lose power. They're just not as efficient. This is a particularly serious problem with today's digital cameras that are totally dependent on battery power. So, when you take your camera and flash out into the cold, you should anticipate a loss of battery power. How do you prepare for this?
All right. You're outside now. What should you do differently because of the cold? Your objective is to continue to try to keep the camera and flash as warm as possible. For example, let's say you're staked out waiting for wildlife to appear over yonder hill. Set up your tripod, but if possible keep your camera protected under your coat until you're ready to shoot. Here's where a quick-release head comes in handy. When you see your quarry, pop the camera onto the tripod quickly and quietly. An ice-cold tripod will do its job for far longer than an ice-cold camera, which is likely to fail. Tripods, by the way, will eventually freeze when temperatures are well below zero, depending on the type of lubricant in the tripod's joints and head.
What other problem bedevils the photographer in the cold (other than frozen fingers and runny nose)? Static electricity. If you live anywhere in the North, you know the problem during the winter – if you walk on a carpet, you may get a shock when you shake hands or touch a doorknob. Realize that static electricity is a problem only when the humidity is low. And cold weather means low humidity because cold air cannot hold much moisture. When you use your camera outdoors in the cold, therefore, you risk creating a buildup of static electricity when you advance the film (this is the equivalent of walking on that carpet) and when the buildup is sufficient a spark may flash inside your camera, fogging the film. While this is rare, it does happen. We've seen it and the results ruin the affected photographs. How can you minimize this possibility in cold weather? Advance your film carefully. With a manual camera, advance the film slowly. With an autowind camera, shoot only one frame at a time.
What about taking photographs when it's actually snowing or sleeting? If it's just a few flakes, just keep your camera under your coat except when you shoot. Not long ago, we were outside photographing when a heavy snow squall hit. In a few seconds, the whole world was awash in swirling, blowing soggy snowflakes. This kind of heavy downfall can play havoc with the exposed parts of an SLR or digital point-and-shoot, particularly the highly electronic models where any moisture can snarl the all-important circuits that control all the camera's functions, as well as digital cameras.

Let your camera warm up slowly. Place it on a cool windowsill or an unheated porch for a couple of hours so it can rise slowly to room temperature. Since condensation can play havoc with an all-electronic camera, you want even greater protection for them. This is where the suggestion of wrapping a cold camera in a plastic bag comes into play. The moisture will settle on the outside of the bag rather than on the camera's outside and inside surfaces. You can protect the delicate electronics this way. In fact, it's best if you place the bag on the camera while still outside, not when you bring the camera in.